The "net-art.org" website is an online-only exhibition of the early (and continuous) history of Internet art. This site provides links to original content to net-art projects and related websites made since the rise of Internet art in de '90 into the mainstream art world. Would you like your work to be featured here? Submit your work here

Moments of Inertia

The score for this piece consists of a series of twelve short works for violin and electronics written using algorithmic techniques derived from different mathematical equations in which moments of

Jimpunk

The site is a collection of animated DHTML pages, stitched together, to reload and refresh randomly into each other.

NIESATT

NIESATT observes the obsessions and addictions to the digitalized world of people nowadays, having lost their connection to nature and becoming victims of them selfs for ignoring environmental and

/source/(postfactual)

A seemingly void, monochrome white surface is all it shows; and frustrates the viewer with a mouse cursor, which is difficult to locate, to control and direct, as isolated potential ‘facts’ pop up

ascii history of net-art

#0 Works and experiments with moving ASCII , ASCII audio, ASCII camera and such, are all directed towards conversions of contents between one media platform and an other, every time carefully direc

Breitbart Blue

Comfort culture is back and we’ve got the hoodies to prove it. The intention is to support young men constructing their identity.

LOVE

And that everything one day, an hour, one letter, or one word will be over and just cannot ever be over. A net-art piece by Group Z(Belgium).

Mazecorp

Mazecorp \Since 1999, the work titled "Mazecorps" is reflecting a maze-like construction which refers to the possible relationships between cinema, poestry, and networking.

No fun

In "No Fun" Franco Mattes simulated his suicide in a public webcam-based chat room. Thousands of random people watched while he was hanging from the ceiling, swinging slowly, for hours.

Human Readable Messages Mezangelle

Mez Breeze developed, and continues to write in, the hybrid language mezangelle. Her unorthodox use of language demonstrates the ubiquity of digitization and the intersections of the digital and the real that are increasingly common in 21st century life.