The "net-art.org" website is an online-only exhibition of the early (and continuous) history of Internet art. This site provides links to original content to net-art projects and related websites made since the rise of Internet art in de '90 into the mainstream art world. Would you like your work to be featured here? Submit your work here

Requiem for a Dream

Requiem for a Dream: this is the website for the movie "Reguiem for a Dream". The site is mocking the screaming imagery of commercial websites.

Top 84 Ways of Going Greener at Home

In many of his works, Krassimir Terziev uses the language and technology of cinema and television to investigate and comment on how their shared visual culture shapes or affects our social and poli

No man's land

In her project 'No Men's Land' cym tries to capture something of the rapid changes that are happening to the borders in Central Europe.

Medialounge

Medialounge.org (aka sign69) cybermind designs. channeling recreational synthesis in unified fields of consciousness.

A is for Apple

A is for Apple is a flash website project that uses the hypertext linking of interactive work to investigate a cryptography or hermeneutics of the apple.

Cameron’s World

“Cameron’s World,” built by Berlin-based designer Cameron Askin, is a frenetic web-collage created as “a love letter to the internet of old.” Divided into thematic rows of over 700 images Askin sou

SOD

Jodi's SOD is a modification of the game Wolfenstein. You can actually attempt to play the game, but everything is scrampled.

No fun

In "No Fun" Franco Mattes simulated his suicide in a public webcam-based chat room. Thousands of random people watched while he was hanging from the ceiling, swinging slowly, for hours.

NIESATT

NIESATT observes the obsessions and addictions to the digitalized world of people nowadays, having lost their connection to nature and becoming victims of them selfs for ignoring environmental and

Net-art generator

Nowadays, work is placed on a level with duty, compulsion, obedience, conformity, monotony and exploitation, but scarcely with a 'practice of creative enjoyment' of (Negri/Hardt).