In her project 'No Men's Land' cym tries to capture something of the rapid changes that are happening to the borders in Central Europe.

In the Secret & The Wolf we enter a world of a dandily dressed wolf and his secret diary.

Mazecorp \Since 1999, the work titled "Mazecorps" is reflecting a maze-like construction which refers to the possible relationships between cinema, poestry, and networking.

In Bindigirl (1999), Prema Murthy represents herself as an Indian pinup girl in a critique of the Internet pornography industry and the Orientalism found in Asian pornography.

A net.art project from fear to fun, drama, love, desire and a sense of wonder. The moving images, soundtrack and voices are forming a 'psycho-geography of dreams'. Work in progress since 1996.

Dream7 is a net art piece which purposefully lingers in a state of precognition.

gif_me_a_break is a web-work consisting of multiple versions of interactive, interlinked abstract and social commentary gif animations resulting in audio-visual noise drones.

Nowadays, work is placed on a level with duty, compulsion, obedience, conformity, monotony and exploitation, but scarcely with a 'practice of creative enjoyment' of (Negri/Hardt).

My Boyfriend Came Back From the War is a browser-based net-art piece created in 1996 by Russian artist Olia Lialina.

"Qrime is a set of short animations created in part to be shown on the web and some others now modified to be seen as short animati

The net.art output of a San Francisco based graphic designer using DHTML.

Happening 2.0 & curated by Vasily Zaitsev Online Vernissage ONLINE NOW www.mon3y.us

In many of his works, Krassimir Terziev uses the language and technology of cinema and television to investigate and comment on how their shared visual culture shapes or affects our social and poli

Can a machine produce every possible image? What are the limits of this kind of automation?

"The doorman" is an interactive, 'photo-cinematic' flash piece, created with documentary photos of the subject shot over two months.

Mark Napier’s Riot is an alternative, "cross-content" Web browser.

Distant Feeling(s) by Daniel Pinheiro, Lisa Parra and Annie Abrahams. 2017-ongoing.

Geoffrey Lillemon (1981 USA) brings a classic romantic painting and drawing style to technology to reinterpret artistic practice.

by Brian Mackern

cachemonet is an exploration into the serendipitous collisions that occur between two randomly generated arrays.

„It's a place to bury a hatchet.
Immortalise the ephemeral.
Make a meme memorial.
Mark a mortal thought.
An Obytuary.“

Shu Lea Cheang’s BRANDON from 1998-99 is a recently conserved interactive journey that both reconstitutes and speculates upon an ‘all American’ road trip and is inspired by the tragic true story of

We’re screening one-second movies, off takes, and 60 seconds movies on the theme “After IS NOw”. The interpretation has been open, both for the theme and for what an “off take” means.