The "net-art.org" website is an online-only exhibition of the early (and continuous) history of Internet art. This site provides links to original content to net-art projects and related websites made since the rise of Internet art in de '90 into the mainstream art world. Would you like your work to be featured here? Submit your work here

The Folksomy project

JODI's ongoing performance project, The Folksomy Project, takes YouTube as source material, with the artists utilizing custom software to select and manipulate user-generated videos from the popula

it's doing it / it did it

It’s doing it is an online group exhibition of computer generated images that autonomously updates on a daily basis over the course of 45 days.

Being Human

"Being human is about communication with the other. This other person that one doesn't know at all, but that should resemble you somewhere and so, will need some reassuring every now and than too.

1n-0ut  [meditation]

aleilissa is back il y a un instant even in plaisir my ghost empire alone for train music ipsolute abstraction novel hourly trip aleilissa impossible d̩fiance al color zero reflexion a donna pax a

The Secret Garden of Mutabor

The Secret Garden of Yenz is a unusual point and click type adventure game with really nice graphics and design. "The Secret Garden of Mutabor is in great danger. You just came in time to save us!

Body Anxiety

Body Anxiety shares the varied perspectives of artists who examine gendered embodiment, performance and self-representation on the internet.

LOVE

And that everything one day, an hour, one letter, or one word will be over and just cannot ever be over. A net-art piece by Group Z(Belgium).

GRAMMATRON

The GRAMMATRON project is a "public domain narrative environment" developed by virtual artist Mark Amerika.

Medialounge

Medialounge.org (aka sign69) cybermind designs. channeling recreational synthesis in unified fields of consciousness.

Net-art generator

Nowadays, work is placed on a level with duty, compulsion, obedience, conformity, monotony and exploitation, but scarcely with a 'practice of creative enjoyment' of (Negri/Hardt).