The "net-art.org" website is an online-only exhibition of the early (and continuous) history of Internet art. This site provides links to original content to net-art projects and related websites made since the rise of Internet art in de '90 into the mainstream art world. Would you like your work to be featured here? Submit your work here

re-potemkin

project_.f.reeP_ project by .-_-.  Battleship Potemkin is a 1925 silent film by Sergei Eisentein, which is in public domain now.

River the Net

River The Net (Riverthe.net), [first conceived as Project Ten back in April] you can upload a ten second or less clip, anonymously, and you have the option of giving that video three tags.

Cameron’s World

“Cameron’s World,” built by Berlin-based designer Cameron Askin, is a frenetic web-collage created as “a love letter to the internet of old.” Divided into thematic rows of over 700 images Askin sou

ascii history of net-art

#0 Works and experiments with moving ASCII , ASCII audio, ASCII camera and such, are all directed towards conversions of contents between one media platform and an other, every time carefully direc

Cachemonet

cachemonet is an exploration into the serendipitous collisions that occur between two randomly generated arrays.

Simulator

HTML-based work of a banal 'interactive' day. Building The Simulator is an attempt at accenting and exploring the edge between the simulacrum of the internet and banal physical existence.

Tenderly Yours

Tenderly Yours resituates the personal, casual and ambiguous approach of French new wave cinema in a net art narrative that explores love, loss and memory.

Jodi

Jodi pioneered Web art in the mid-1990s. Jodi were among the first artists to investigate and subvert conventions of the Internet, computer programs and video and computer games.

Market-o-matic

Tired of racking your brain trying to squeeze out yet another artist's statement extolling the unique virtues of your latest net.art joint?

Net-art generator

Nowadays, work is placed on a level with duty, compulsion, obedience, conformity, monotony and exploitation, but scarcely with a 'practice of creative enjoyment' of (Negri/Hardt).